This is 2017's To Die Like a Man. Even tighter and better. Layers upon layers of social critique, each overlapping with another just a bit, highlighting a different aspect of her experience of this particular positionality. And just the right amount of surrealism.
MoMA简介里头三个字neorealism and surrealism说明一切就挺伊朗布努埃尔的很多地方都像los olvidalos/直到结局我们也不知道牛到底怎么死的但我们知道了人是怎么变成牛的之后怎么死的所以我们终究知道了牛是怎么死的/看的中间有一段特别无聊开始观察别的观众看到看到一个侧脸特像马特达蒙隔壁坐了一对情侣一直卿卿我我没停过正想着他们后边观众真惨其中一个就愤怒离席换到前排太好笑了哈哈哈哈哈